Recent works


This section is dedicated to recent works that were made in the labs listed on filmlabs.org.

If you have used one of these labs to make a film, an installation, a performance, please
use the on-line form o add your work to this blog. The information will also be sent on the
agenda@filmlabs.org list, to which a number of programmers subscribe.

Programmers ! You can consult this page regularly to find out what's cooking in the labs,
or subscribe to agenda@filmlabs.org and get the information directly.







As Tides Go By
a film by Stefanie Weberhofer
Lab(s) : FILMKOOP WIEN
Year of production : 2018
Format :
Length : 12'25
Distrib. :
Link : Click here
Phone :
Mail : mail(at)stayfanny.com
With the death of her grandmother, the desire of the filmmaker for a family vacation was seemingly unfulfillable. By combining Super8 film footage from five decades, the filmmaker fulfills this wish nonetheless. The change of generations seems to be stopped by the continuity of the film technology, blurring the limits of time in the Bay of Lignano.

If you want the screening link, please send me an email.


Added : 20/02/2018


Un grand bruit
a film by Guillaume Mazloum
Lab(s) : L'ABOMINABLE
Year of production : 2017
Format :
Length : 40'0
Distrib. : Light Cone
Link :
Phone :
Mail :
Anarchist, utopian, Situationist, Surrealist, mystical thoughts… Twentieth-century poets, for whom words are both breath and meaning. Sound and sigh, text and texture, page and image.
Crossing a century of horror and promise, of barbarity and technology, whose burden discharges heavily onto any future.
And very low, in the clamor of time, the poet deals the blows of words that we stubbornly refuse to hear: we’ll need to work ‘til the end of time, we’ll need to rediscover both the gesture and the word.


Added : 15/02/2018


7FF on¢idia
a film by Ж
Lab(s) : _ AUTRE / OTHER
Year of production : 2017
Format :
Length : 8'12
Distrib. : Ж
Link : Click here
Phone :
Mail : kkotik (at) gmail.com
In ancient China the skin of the tiger was the representation of “continuous changing”; in Mayan world through the path of Bolom Chon (Jaguar) they could read constellations: the dance of cosmos.
Fluxes are grouped in the film; spotted-jaguar, “7 pancadas”, speckled plants, ounce (oz), “golden spider”. Matter-energy-information varies. Side by side communication, surplus value of code. Commodities, bit coins, mountains of data. 7FF on¢idia: real impossibilia of capital life.


Added : 18/12/2017


A proposal to project
a film by Viktoria Schmid
Lab(s) : FILMKOOP WIEN
Year of production : 2017
Format :
Length : 2'30
Distrib. :
Link : Click here
Phone : Password for Vimeo-Link: Screen
Mail : hello@viktoriaschmid.com
Schmid builds her own projection screens which range from formats currently in use ( in this case 4:3, the format she uses the most as using 16mm as her main medium) to entirely fictitious ones (the 4:1 “Viktoriascope”) and if possible she then films them in the exact same format. While at an artist residency at the Djerassi Program in Caalifornia, the artist constructed one of these screens from wood and canvas and installed it within the program’s sculpture park. Still standing there, it is an unexpected object on the pathway to a scenic view of the rolling hills on the Djerassi property. In ‚A proposal to project‘ Schmid shot this site-specific installation throughout a single day when the screen turned into a projection surface for the subtle interplay of shadow and light from the surrounding trees and shrubs. Cinema without film. (Text: Claudia Slanar)

Added : 07/07/2017


Rites of Resistance
a film by Miki Ambrózy
Lab(s) : L'ABOMINABLE, MAAC-LE LABO, MTK
Year of production : 2017
Format :
Length : 20'37
Distrib. : Visualantics
Link : Click here
Phone : +32488330550
Mail : miki.ambrozy@gmail.com
A film poem celebrating the dualities present in the everyday. As I go, impressions and questions present themselves. The intimacy of looking at my child. The ethically loaded gesture of capturing images. The entangled encounters across generations. They confront me. The comfort me. This was always meant to be a reflection on making with one’s own hands.

Can the liquidity of writing be grounded in the material of film-image? How to distill an experience from the toil of one’s everyday? The relentless flow of life passing through…


Added : 10/05/2017



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