- Lab
- Autre / Other
- Production year 2020
- Production format Super-8
- Screening format DCP
- Duration 8′
-
On devait ne jamais guérir
- a Film
- by Vincent GUILBERT
- Description (english) “How hopeless it is It would be better for me to sink beneath the waves Perhaps then I could see my beloved from the Moon Capital” An attempt of rendition in Super 8, of a 19th century woodblock print by Japanese artist Tsukioka Yoshitoshi, from his series “One Hundred Aspects of the Moon” (1885–1892).
- Description (french) “Il n’y a plus aucun espoir Je ferais mieux d’aller couler sous les vagues Ainsi, pourrais-je peut-être voir mon bien-aimé depuis la capitale de la Lune” Libre interprétation, filmée en super 8, d’une estampe de Tsukioka Yoshitoshi, tirée de sa série “Cent aspects de la lune” (1885-1892).
- Presentation link
- Video link
- Password You must be logged in as a programmer to see this password
- Contact the filmmaker(s)
- Lab
- Autre / Other
- Production year 2020
- Production format Super-8
- Screening format DCP
- Duration 8′
-
On devait ne jamais guérir
- a Film
- by Vincent GUILBERT
- Description (english) “How hopeless it is It would be better for me to sink beneath the waves Perhaps then I could see my beloved from the Moon Capital” An attempt of rendition in Super 8, of a 19th century woodblock print by Japanese artist Tsukioka Yoshitoshi, from his series “One Hundred Aspects of the Moon” (1885–1892).
- Description (french) “Il n’y a plus aucun espoir Je ferais mieux d’aller couler sous les vagues Ainsi, pourrais-je peut-être voir mon bien-aimé depuis la capitale de la Lune” Libre interprétation, filmée en super 8, d’une estampe de Tsukioka Yoshitoshi, tirée de sa série “Cent aspects de la lune” (1885-1892).
- Presentation link
- Video link
- Password You must be logged in as a programmer to see this password
- Contact the filmmaker(s)
